Networking Essays - The Pearl, John Steinbeck, Pearl, La Perla

Networking ?THE PEARL by John Steinbeck.? Written in 1940 and published in 1947, ?The Pearl? is another of Steinbeck's novels, which tells the great American dream. The English he uses, as in most of his books, is fairly simple. The message that he attempts to put through to the reader, which makes this short and effortlessly understandable. Steinbeck's protagonists comprise of Kino, a young Mexican fisherman, and his poverty-stricken family, consisting of Juana (his wife) and Coyotito (his baby boy). The story begins set in the bare darkness of the interior of Kino's mud hut, where the family awakens before the dawning of each day to perform their retual of preparing and eating corn cakes-the family's staple. Their living quarters is situated next to the Gulf of Mexico, where Kino would go out to dive for oysters and catch his family's next meal. Every single day he dreams of finding the great pearl, whom everybody believes, will make him rich. It is the incident of his son's illness that puts the fire and sense of urgency in his heart to search for the prized object. The author drawn comparison to the American dream: To gain material wealth, obtain success. Ironically, when Kino does find the Pearl, it is to his great disappointment, too large and virtually worthless. Kino, as a character, is represented by Steinbeck, as the general American public of his day, where innocent victims compromise their moral values. His dream blinds him to greed and suspicions of his neighbors. Even Juana, is unable to temper his obsession and the events leading to tragedy. Kino eventually comes to realize that material wealth is nothing when you vision of good and evil. John Steinbeck was able to write The Pearl in the style of a folktale by keeping it short. By doing that, he made it is easier to keep in the memory, to pass it down to the next generation. Story's characters are common everyday people. They are not in the upper class, but they are hard working-class laborers, it makes the story closer to people. They are able to relate to the characters and how the characters feel. Also it provides a moral lesson which gives parents a reason to pass it down to their children. Steinbeck himself said that in The Pearl, ?...perhaps everyone takes his own meaning from it and reads his own life into it?. That means that it does not matter who hears the story, they will each get something out of it. Steinbeck made it exciting, which appeals to the listener and keeps them focussed on the story and wanting to hear more. By using these simple techniques, Steinbeck achieved his goal in writing a true folktale. In The Pearl, Steinbeck kept referring to songs. These were songs that Kino learned as a boy in the camp that they created for everything they saw, thought or did. There were songs for every aspect of his life: family, evil, the enemy, and eventually the pearl. They represented the good and the evil. But the Song of the Pearl was different. At the start of the story Kino said, ?but no new songs were added?. However, the Song of the Pearl was added, and Kino placed in it whatever he could see in the pearl. At the start he saw in the pearl his family and all the things he could buy for them when he sold the pearl. So because of what he saw, the Song of the Pearl became the same as the Song of the Family. But soon the song changed. As Kino began to doubt and became afraid after he could not sell the pearl, the Song of Evil slowly took over and replaced the Song of the Family inside the pearl. Kino could not even see his own nice visions in the pearl, but all he saw was his own death. Ev il was brought into the story very early on as the scorpion stung the baby. Good won over again as the swelling diminished with Juana's love and the seaweed remedy. After Kino found the pearl, evil began to take over. Greed, jealousy, arose in the town as everyone wanted the pearl and it's money

Analysis of Handels Admeto essays

Analysis of Handel's Admeto essays In the beginning of the 18th century opera seria developed into a vibrant art form, and took a center stage in operatic performance of London. As a genre, opera seria takes its themes from classical myths and literature, building on the musical standards developed throughout the Baroque period. Opera seria is built on a rigid structure of three acts in which the recitative and aria are performed in alternation. The dominant convention of this musical genre is the de capo aria which helps to show a single specific mood or affection through the use of repetition and melismatic singing while also serving as a "reflection of the significance of the virtuoso singer" (New Harvard 564). The voices of soloists were central to the performance, and the composers of opera serias used the instruments of the orchestra as an accompaniment. In looking at Handel's Admeto we can see a prominent example of an opera seria, allowing us to see how these among other musical conventions created a sens e of grandeur and order so prominent during a Baroque period. Recitative playes a pivotal role in the development of the action of Admeto. It serves a function of both developing the plot and explaining the relationships between characters. The Act III scene 6 finds Alcestis back from the netherworld and looking to reunite with her husband Admeto. In a dramatic dialogue Hercules tells her that her husband is in love with another. This amount of information would be impossible to convey effectively in the form of an aria. Instead of being accompanied by the basso continuo, the recitative between Alcestis and Hercules is almost entirely spoken. The only instrumental accompaniment is the harpsichord, and its function is limited to underlining the ends of phrases. Such recitative, often called secco recitative, allows the words come out unencumbered by the colorful turns of a musical composition. Yet the music is not absent from Handel's recitative. ...

The Heinkel He 111 or the Luftwaffe Bomber

The Heinkel He 111 or the Luftwaffe Bomber With its defeat in World War I, the leaders of Germany signed the Treaty of Versailles which formally ended the conflict. Though a far-reaching agreement, one section of the treaty specifically forbade Germany from constructing and operating an air force. Due to this restriction, when Germany commenced rearmament in the early 1930s, aircraft development occurred in secrecy or proceeded under the guise of civilian use. Around this time, Ernst Heinkel commenced an initiative to design and build a high-speed passenger plane. To design this aircraft, he hired Siegfried and Walter Gà ¼nter. The result of the Gà ¼nters efforts was the Heinkel He 70 Blitz which began production in 1932. A successful aircraft, the He 70 featured an elliptical inverted gull wing and a BMW VI engine. Impressed with the He 70, the Luftfahrtkommissariat, which sought a new transport aircraft that could be converted to a bomber in wartime, contacted Heinkel. Responding to this inquiry, Heinkel began work to enlarge the aircraft to meet the requested specifications and to compete with new twin-engine aircraft such as the Dornier Do 17. Preserving the key features of the He 70, including the wing shape and BMW engines, the new design became known as the Doppel-Blitz (Double Blitz). Work on the prototype pushed forward and it first took to the skies on February 24, 1935, with Gerhard Nitschke at the controls. Competing with the Junkers Ju 86, the new Heinkel He 111 compared favorably and a government contract was issued. Design Variants Early variants of the He 111 utilized a traditional stepped cockpit with separate windscreens for the pilot and copilot. Military variants of the aircraft, which began production in 1936, saw the inclusion of dorsal and ventral gun positions, a bomb bay for 1,500 lbs. of bombs, and a longer fuselage. The addition of this equipment adversely affected the He 111s performance as the BMW VI engines did not produce sufficient power to offset the additional weight. As a result, the He 111B was developed in the summer of 1936. This upgrade saw more powerful DB 600C engines with variable pitch airscrews installed as well as additions to the aircrafts defensive armament. Pleased with the improved performance, the Luftwaffe ordered 300 He 111Bs and deliveries commenced in January 1937. Subsequent improvements produced the D-, E-, and F-variants. One of the most notable changes during this period was the elimination of the elliptical wing in favor of a more-easily produced one featuring straight leading and trailing edges. The He 111J variant saw the aircraft tested as a torpedo bomber for the Kriegsmarine though the concept was later dropped. The most visible change to the type came in early 1938 with the introduction of the He 111P. This saw the entire forward part of the aircraft altered as the stepped cockpit was removed in favor of a bullet-shaped, glazed nose. In addition, improvements were made to the power plants, armament, and other equipment. In 1939, the H-variant entered production. The most widely produced of any He 111 model, the H-variant began entering service on the eve of World War II. Possessing a heavier bomb load and greater defensive armament than its predecessors, the He 111H also included enhanced armor and more powerful engines. The H-variant remained in production into 1944 as the Luftwaffes follow-on bomber projects, such as the He 177 and Bomber B, failed to yield an acceptable or reliable design. In 1941, a final, mutated variant of the He 111 commenced testing. The He 111Z Zwilling saw the merging of two He 111s into one large, twin-fuselage aircraft powered by five engines. Intended as a glider tug and transport, the He 111Z was produced in limited numbers. Operational History In February 1937, a group of four He 111Bs arrived in Spain for service in the German Condor Legion. Ostensibly a German volunteer unit supporting Francisco Francos Nationalist forces, it served as a training ground for Luftwaffe pilots and for evaluating new aircraft. Making their combat debut on March 9, the He 111s attacked Republican airfields during the Battle of Guadalajara. Proving more effective than the Ju 86 and the Do 17, the type soon appeared in larger numbers over Spain. Experience with the He 111 in this conflict allowed designers at Heinkel to further refine and improve the aircraft. With the beginning of World War II on September 1, 1939, He 111s formed the backbone of the Luftwaffes bombing assault on Poland. Though performing well, the campaign against the Poles revealed that the aircrafts defensive armament required enhancement. In the early months of 1940, He 111s conducted raids against British shipping and naval targets in the North Sea before supporting the invasions of Denmark and Norway. On May 10, Luftwaffe He 111s aided ground forces as they opened the campaign in the Low Countries and France. Taking part in the Rotterdam Blitz four days later, the type continued to strike both strategic and tactical targets as the Allies retreated. At the end of the month, He 111s mounted raids against the British as they conducted the Dunkirk Evacuation. With the fall of France, the Luftwaffe began preparing for the Battle of Britain. Concentrating along the English Channel, He 111 units were joined by those flying the Do 17 and Junkers Ju 88. Commencing in July, the assault on Britain saw the He 111 encounter fierce resistance from Royal Air Force Hawker Hurricanes and Supermarine Spitfires. The early phases of the battle showed a need for the bomber to have a fighter escort and revealed a vulnerability to head-on attacks due to the He 111s glazed nose. In addition, repeated engagements with British fighters showed that the defensive armament was still inadequate. In September, the Luftwaffe switched to targeting British cities. Though not designed as a strategic bomber, the He 111 proved capable in this role. Fitted with Knickebein and other electronic aids, the type was able to bomb blind and maintained pressure on the British through the winter and spring of 1941. Elsewhere, the He 111 saw action during the campaigns in the Balkans and the invasion of Crete. Other units were sent to North Africa to support the operations of the Italians and the German Afrika Korps. With the German invasion of the Soviet Union in June 1941, He 111 units on the Eastern Front were initially asked to provide tactical support for the Wehrmacht. This expanded to striking the Soviet rail network and then to strategic bombing. Later Operations Though offensive action formed the core of the He 111s role on the Eastern Front, it also was pressed into duty on several occasions as a transport. It earned distinction in this role during by evacuating wounded from the Demyansk Pocket and later in re-supplying German forces during the Battle of Stalingrad. By the spring of 1943, overall He 111 operational numbers began to decline as other types, such as the Ju 88, assumed more of the load. In addition, increasing Allied air superiority hampered offensive bombing operations. During the wars later years, the He 111 continued to mount raids against Soviet shipping in the Black Sea with the assistance of FuG 200 Hohentwiel anti-shipping radar. In the west, He 111s were tasked with delivering V-1 flying bombs to Britain in late 1944. With the Axis position collapsing late in the war, He 111s supported numerous evacuations as German forces withdrew. The He 111s final missions of the war came as German forces attempted to halt the Soviet drive on Berlin in 1945. With the surrender of Germany in May, the He 111s service life with the Luftwaffe came to an end. The type continued to be used by Spain until 1958. Additional license-built aircraft, constructed in Spain as the CASA 2.111, remained in service until 1973. Heinkel He 111 H-6 Specifications General Length: 53 ft., 9.5 in.Wingspan: 74 ft., 2 in.Height: 13 ft., 1.5 in.Wing Area: 942.92 sq. ft.Empty Weight: 19,136 lbs.Loaded Weight: 26,500 lbs.Maximum Takeoff Weight: 30,864 lbs.Crew: 5 Performance Maximum Speed: 273 mphRange: 1,429 milesRate of Climb: 850 ft./min.Service Ceiling: 21,330 ft.Power Plant: 2 Ãâ€" Jumo 211F-1 or 211F-2 liquid-cooled inverted V-12 Armament 7 Ãâ€" 7.92 mm MG 15 or MG 81 machine guns, (2 in the nose, 1 in the dorsal, 2 on the side, 2 ventral. These may have been replaced by 1 Ãâ€" 20 mm MG FF cannon (nose mount or forward ventral position) or 1 Ãâ€" 13 mm MG 131 machine gun (mounted dorsal and/or ventral rear positions)Bombs: 4,400 lb. in internal bomb bay

Logical vs. Physical Models Research Paper Example | Topics and Well Written Essays - 1000 words

Logical vs. Physical Models - Research Paper Example Taking the viewpoint of an independent outside base is another responsibility of the model and this assists in understanding the areas that require improvements. Process modeling also assists in defining the desired processes and understands the best manner through which the general system can incorporate it. Process modeling is important for it establishes the patterns that ought to be followed for the consequence of getting a particular desired result. Providing details on the rationale taken in the processes is another responsibility of process modeling. Exploring the courses of the various arguments that are brought up in the development of the process is the task of the process model. Establishing a link between the requirements of various processes and the actual processes is another importance of process modeling. It also defines points where data is extracted for reporting and analysis. A logic model is a type of analysis tool that is used by analysts to identify the effectiveness of particular computer programs. There are times that a particular project may fail and it is the responsibility of the analyst to identify the best logic model to employ and consequently understand the importance of having an overall haul of the system (Dennis, 2012). Using the logic model, the manager has the ability to understand the processes that can lead to increased investment, thus categorize them as either important or disposable, and consequently understand the course of action. A logic model is also used for program evaluation. In the past, program evaluation has always been used using an insider in the system. However, in contemporary days, new reasoning has been brought about by this model and it has helped in identifying and resolving some problems in the evaluation of a program. Some other uses of this model include assisting the database in understanding the current situation in

Rhetorical Analysis of Commercial Essay Example | Topics and Well Written Essays - 250 words

Rhetorical Analysis of Commercial - Essay Example The quality of the advertisements encourages brand consumption since the main characters in the ad enjoy coke at all times. Background music featured in the ad in different seven languages shows the diversity of the American people. This shows that people of America speak different languages but consume the same Coca Cola products in a show of unity in consumption of products. Therefore, the general message of the ad reflects the essential social values that Coca Cola consider when releasing products to the American people. The commercial ad also features people in various landscapes such as the shores of the Pacific and the Southwest desert, cafes and cityscapes as they enjoy taking coke. It provides pictures of the real livelihoods of the people from different ethnicity, religion, families and races in the US. That is why the aim of this commercial is to show that Coke brand is for all the people of America. In addition, it promotes optimism amongst Americans that Coke brand is a binding factor between races and religion since both consume the same quality, quantity and brand across

Pentagon Papers :: essays research papers

Pentagon Papers; The Truth to War   Ã‚  Ã‚  Ã‚  Ã‚  On June 31, 1971, President Nixon picked up a copy of his New York Times newspaper and found the 1st story on the Pentagon Papers. The Pentagon Papers was a hidden government document that had information on the Vietnam War. It was also a government study in Southeast Asia. Daniel Ellsberg knew that the government was hiding something. Daniel Ellsberg was a political activist. He was the one who leaked the information to the New York Times. Daniel Ellsberg was morally correct, but what he did was illegal.   Ã‚  Ã‚  Ã‚  Ã‚  Daniel Ellsberg saved a lot of lives sort of speak. He knew that the government was hiding something and discovered it. At first, he was a strong supporter of the Vietnam War; but then became a strong opponent. The Department of Defense continued to lie to the people about the hype about the war. The government continued to say that the war was under control. The Pentagon Papers already had statistics on the Vietnam War.   Ã‚  Ã‚  Ã‚  Ã‚  As soon as Nixon saw the paper, he went to his Attorney General right away to stop the printing of the New York Times newspaper. Daniel Ellsberg knew that he would get arrested for making copies of the papers. He knew that it was illegal. Nixon had to do something to put Ellsberg in jail. Nixon authorized aids to go through Ellsberg’s psychiatry files to discredit him. Since the government had enough information, they put Ellsberg in jail.   Ã‚  Ã‚  Ã‚  Ã‚  During Ellsberg’s trial, Nixon knew he had the case won. But, somebody leaked the Watergate information to the judge. Since it is also illegal to go through private property, the case was dismissed. Ellsberg was set free. In 2002, he published a book called Secrets: A Memoir of Vietnam and the Pentagon Papers.

Analysis of Dinner Party Essay

The text under analysis is named The Dinner Party, written by Nicholas Monsarrat. Monsarrat is a British novelist known for his sea stories and his novels, The Tribe That Lost Its Head and its sequel, Richer Than All His Tribe. The Dinner Party is a piece of narration. It tells us about a rich man (uncle Octavian), who was a hospitable and friendly man, and liked to give parties – until January 3, 1925. It was his fifty-fifth birthday. As usually on such a day he was giving a party, a party for twelve people. All of them were old friends. During the party he was admired a magnificent diamond ring on the princess’s hand. Then the ring was passed from hand to hand, and so it was lost or stolen although all the guests were close friends. Nobody returned the princess’s ring back, so it was never found and it never appeared. Since that event Uncle Octavian never gave a single lunch or dinner party for the last thirty years of his life. He died a comparatively poor man with the special sadness of a hospitable host. The purpose of the author is to show how it’s significant to have values, principles and it doesn’t make a difference if you are poor or rich. Uncle Octavian believed in his friends and suffered from this at the end as one person, one of his close friends is appeared to be a thief. Uncle Octavian lost all his friends and was never able to believe anyone from that day. The story is well-structured, so it may be divided into the following parts: exposition, complication, conflict, climax and denouement. The first part begins with â€Å"There are still some rich people †¦Ã¢â‚¬  and ends with â€Å"†¦until January 3, 1925.â€Å" It tells us about rich people in their princess world and claims that even those have their problems. In this part we meet with the author, unnamed, and the main character (my uncle Octavian), who is described as a charming, hospitable and most amiable man with the help of epithets. The second part begins with the words â€Å"Let me tell you a story †¦Ã¢â‚¬  and ends with â€Å"all old and intimate friends of my uncle Octavian.† This passage describes the author’s feelings about staying at such event – the 55th birthday of his uncle, and the party itself. Here we observe a description of uncle’s friends and to stress how rich and important the friends of Octavian were the author uses metaphor â€Å"old flames†, and epithets such as â€Å"respective husbands†, â€Å"exceptional intelligence and his fabulous American wife†. The next part begins with â€Å"Towards the end of a wonderful dinner †¦Ã¢â‚¬  and finishes with â€Å"†¦saw her pass it on.† Here we become  acquainted with a princess and her magnificent ring, loved by everyone at the table. The ring itself is described very vividly to stress its importance for example here the author uses an allusion to Genghis Khan. The climax of t he story is the moment when everyone understands that the ring is lost or stolen. Here the author describes dreadful embarrassment of Uncle Octavian’s cherished friends and uncle’s belief in good of his close friends. Colorful epithets are used to show growing anxiety among the guests: dreadful, fruitless. In the epilogue we see that the ring was not never found and Octavian died poor man, never throwing a single party again as he lost his trust in people. Monsarrat uses antithesis to express how uncle’s life has changed since his 55th birthday: at the beginning he writes that he was â€Å"a happy rich man†, at the end â€Å"comparatively poor†. Poor here is also a metaphor used not only to describe his financial status, but also to show his inner feelings after that date – he lost his trust, his beliefs were deceived. The tone of the story is grammatical and ironical at the same time, as the theme is judging people of being such liars even among friends – the theme itself is quite ironical.